Divine Treasure (2024) by Fernando Merinero

Description: “El Divino Tesoro (Divine Treasure) (2024),” directed by the prolific Spanish independent filmmaker Fernando Merinero, is a compelling drama and mystery, often described as a neo-noir or erotic thriller. It plunges audiences into a dark and labyrinthine Madrid as a desperate mother searches for her missing son’s girlfriend, leading her to a clandestine location called “El Divino Tesoro” where secrets, desires, and complex sexual ambiguities are revealed. This film is the first installment in Merinero’s ambitious “Caseros e Inquilinas” (Landlords and Tenants) trilogy.

Detailed Summary: The film centers on a woman whose life is abruptly upended by the disappearance of her son’s girlfriend. Driven by a desperate need for answers, she embarks on a perilous journey through the hidden corners of Madrid’s underworld. Her investigation, fueled by maternal concern and a growing sense of dread, eventually leads her to a mysterious and clandestine place known only as “El Divino Tesoro” (The Divine Treasure). This location, hinted to be a secret club, a hidden gathering space, or a symbolic nexus of hidden desires, becomes the heart of the film’s unfolding mystery.

Within the confines of “El Divino Tesoro,” she confronts a tangled web of complex relationships, sexual ambiguities, and unsettling secrets. The narrative delves into themes of desire, identity, and the surprising challenges that love and family can present when stripped of conventional boundaries. As she uncovers the truth behind the disappearance, she is forced to confront the dark impulses and hidden lives of those connected to “El Divino Tesoro,” and perhaps, her own preconceived notions about relationships and morality. Filmed in black and white, the film creates a stark, atmospheric neo-noir world that complements its exploration of psychological depths and clandestine encounters.

• Disappearance: A mother searches for her son’s missing girlfriend, leading her into Madrid’s hidden depths.

• The Secret Place: Her investigation leads her to a mysterious clandestine location called “El Divino Tesoro.”

• Unveiling Secrets: Within this place, she uncovers complex relationships, sexual ambiguities, and hidden truths.

• Confronting Desire: The search forces her to confront unconventional desires and the unexpected challenges to love and family.

Director’s Vision: Fernando Merinero, known for his prolific and often experimental independent cinema, crafts “El Divino Tesoro” as the inaugural film in his “Caseros e Inquilinas” trilogy. His vision for this project is deeply rooted in exploring modern sexual freedom, fluid identities, and the intricate dynamics of human relationships, often venturing into neo-noir territory. He deliberately uses black and white cinematography to evoke a classic, mysterious atmosphere, enhancing the film’s themes of hidden truths and the dark corners of desire. Merinero aims to challenge conventional notions of love and family, with the overarching theme of the trilogy being “The Family.” He often writes, directs, and produces his films, maintaining a singular artistic control over his unique, often provocative, narratives.

• Secrets and Hidden Desires: The core of the mystery revolves around concealed truths and the exploration of individual sexual desires and identities that exist beneath the surface of conventional society.

• Sexual Freedom and Ambiguity: Delves into diverse forms of sexual expression and relationships, challenging labels and embracing fluidity.

• Family Bonds: Explores the complexities of familial love and loyalty, even when confronted with unconventional lifestyles and difficult truths.

• Urban Underbelly: Madrid’s clandestine spaces and hidden communities serve as a backdrop for a journey into the city’s darker, mysterious side.

• Identity and Self-Discovery: The protagonist’s search for another leads her to confront unexpected aspects of herself and the world around her.

• Neo-Noir: The film utilizes characteristic elements of neo-noir, including a sense of fatalism, moral ambiguity, and a visually striking black and white aesthetic.

Key Success Factors (Inferred):

• Distinctive Artistic Style: Merinero’s signature black and white cinematography and independent, often experimental, approach attract a niche audience interested in art-house cinema.

• Provocative Subject Matter: The exploration of sexual ambiguities, hidden desires, and the “underworld” appeals to viewers seeking unconventional and challenging narratives.

• Part of a Trilogy: As the first installment, it builds anticipation for the director’s broader artistic project and draws an audience interested in serial narratives.

• Cult Following Potential: Merinero’s work often garners a cult following among cinephiles for its unique vision and thematic depth.

Summary Short: Fernando Merinero’s “El Divino Tesoro (Divine Treasure) (2024)” is a black and white Spanish drama and mystery, the first in his “Caseros e Inquilinas” trilogy. It follows a mother’s search for her son’s missing girlfriend, leading her to a clandestine club in Madrid where secrets and sexual ambiguities are revealed. It premiered in Spain on September 14, 2024.

Production: “El Divino Tesoro (2024)” is a Spanish production. The film has a runtime of 80 minutes. It is notable for being filmed entirely in black and white, a deliberate aesthetic choice by director Fernando Merinero to create a distinct neo-noir atmosphere. It is the first film in his “Caseros e Inquilinas” trilogy.

Theatrical Release: “El Divino Tesoro (2024)” premiered with a theatrical release in Spain on September 14, 2024, notably at Sala Equis in Madrid. This appears to have been its primary theatrical exposure.

Why to Recommend This Movie:

• For Fans of Independent & Art-House Cinema: If you appreciate films that prioritize artistic vision, thematic depth, and unconventional storytelling over mainstream appeal.

• Neo-Noir Enthusiasts: Its black and white aesthetic and mystery elements will appeal to those who enjoy classic and modern noir.

• Exploration of Taboo Subjects: The film delves into complex themes of sexual freedom, identity, and hidden desires, offering a provocative viewing experience.

• Fernando Merinero’s Work: For those familiar with or interested in the unique and consistent filmography of this Spanish auteur.

• Part of a Trilogy: Appeals to viewers who enjoy following an overarching narrative or thematic arc across multiple films by a single director.

• To Experience a Unique Aesthetic: The deliberate use of black and white cinematography provides a distinct visual style that enhances the film’s atmosphere.

• To Engage with Complex Characters: The narrative promises a deep dive into the lives and secrets of individuals navigating unconventional relationships.

• For a Psychological Mystery: If you enjoy films that slowly unravel a mystery, revealing psychological depths and hidden truths.

• Support True Independent Cinema: It’s an opportunity to support filmmakers who operate outside traditional industry structures to tell their stories.

• Curiosity about Spanish Underground Culture: The film might offer a glimpse into the less-seen, more clandestine aspects of Madrid’s social fabric.

What Movie Trend Film Is Following: Independent Neo-Noir / Character-Driven Psychological Thriller / Queer-Adjacent Cinema: “El Divino Tesoro” aligns with the trend of independent filmmakers creating modern neo-noir films that emphasize psychological depth and moral ambiguity. It’s a “character-driven psychological thriller” that uses suspense to explore inner lives and hidden desires. Its explicit engagement with sexual ambiguities places it within or alongside the expanding trend of “queer cinema,” which embraces diverse sexualities and gender identities.

What Big Social Trend Is Following: Sexual Liberation and Identity Fluidity / Re-evaluation of Family Structures / Urban Anonymity and Hidden Lives: The film directly addresses the ongoing social trend of increased sexual liberation and the fluidity of identity beyond traditional labels. It reflects a societal re-evaluation of what constitutes “family” and “love” in the modern era. Furthermore, it subtly touches upon the phenomenon of urban anonymity, where individuals can lead complex, hidden lives within bustling cityscapes.

Final Verdict: “El Divino Tesoro (Divine Treasure) (2024)” is a quintessential independent offering from Fernando Merinero, a film that embraces a distinct neo-noir aesthetic and delves fearlessly into provocative themes of sexual freedom, hidden desires, and the complex bonds of family. As the first chapter in his “Caseros e Inquilinas” trilogy, it sets a mysterious and atmospheric tone, inviting audiences into a shadowy Madrid where secrets abound. While its limited theatrical release suggests it will remain a discovery for a niche audience, its artistic ambition and thematic boldness make it a compelling watch for those who appreciate unconventional, thought-provoking cinema from a unique auteur.

Recommendations for Film Makers:

• Embrace Signature Style: Developing a consistent and recognizable artistic style (like Merinero’s black and white neo-noir) can help a filmmaker stand out in the independent landscape.

• Tackle Challenging Themes: Don’t shy away from exploring complex or controversial social and psychological themes, as they can lead to deeply resonant and memorable films.

• Utilize Aesthetic Choices Deliberately: The choice of black and white or specific visual language can profoundly enhance a film’s atmosphere and thematic content.

• Consider Long-Form Projects: Ambitious projects like trilogies allow for deeper exploration of characters and themes across multiple films, appealing to a dedicated audience.

Recommendations for Movie Industry:

• Support True Independent Cinema: Continue to provide avenues for filmmakers like Fernando Merinero who operate outside mainstream funding and distribution, ensuring diverse cinematic voices are heard.

• Foster Niche Markets: Develop strategies to reach specific art-house or genre-focused audiences, even for films with limited commercial appeal, through specialized festivals, platforms, and venues.

• Promote Thematic Boldness: Encourage and celebrate films that are unafraid to tackle challenging social conversations around identity, sexuality, and family, contributing to a more open cinematic dialogue.

• Value Artistic Control: Recognize the power of an auteur’s vision, where a single individual oversees multiple aspects of production, often resulting in highly personal and cohesive works.

Final Conclusions: “El Divino Tesoro (Divine Treasure) (2024)” is a bold and atmospheric beginning to Fernando Merinero’s new trilogy. It’s a film that promises a unique blend of mystery, drama, and a fearless exploration of human desire and identity. While its distribution scope is limited, its artistic vision solidifies Merinero’s place as an intriguing voice in Spanish independent cinema. For those seeking a film that pushes boundaries and delves into the complexities of the human heart, “El Divino Tesoro” is a compelling and noteworthy offering.

Description: “Divine Treasure (2024),” originally titled “Divino Tesoro,” is a Spanish drama-comedy directed by the prolific Fernando Merinero. It is the first installment in his “Caseros e Inquilinas” (Landlords and Tenants) trilogy. The film follows Roberto, a retired and divorced man, whose solitary life takes an intriguing turn when he rents a room to a young student, sparking a complex fascination and inspiring his friend to similarly embrace shared living.

Detailed Summary: The film centers on Roberto, a retired and divorced man who lives a solitary life. Seeking to fill the emptiness of his large apartment and perhaps his later years, he decides to rent out a spare room. His new tenant is Carmen, a vibrant young student. Soon, Roberto finds himself developing a distinct fascination with Carmen—a fascination that is portrayed as potentially both physical and intellectual. Her youthful presence and zest for life begin to infuse joy into Roberto’s otherwise quiet existence. This newfound happiness is so profound that it influences his even older friend, Carlos, who, witnessing Roberto’s transformation, decides to follow suit. Carlos also rents a room in his home to a young woman, Sonia, an aspiring footballer navigating a rather “dissolute” life. The film explores the dynamics of these intergenerational living arrangements, the complexities of human connection, and the unexpected joys and challenges that arise when diverse lives intersect under one roof. Merinero, known for his unique and often experimental style, delves into themes of companionship, aging, and the search for meaning in later life.

• Solitary Life: Roberto, a retired and divorced man, lives alone in a large apartment.

• New Tenant: He rents a room to a young student named Carmen, who brings vibrancy into his life.

• Developing Fascination: Roberto develops a deep, ambiguous fascination with Carmen.

• Inspiration to a Friend: Roberto’s renewed joy inspires his older friend, Carlos, to also rent a room to a young woman, Sonia, an aspiring footballer.

• Intergenerational Dynamics: The film explores the complexities and joys of these shared living situations.

Director’s Vision: Fernando Merinero, who not only directed but also wrote, produced, edited, and shot “Divine Treasure,” is known for his highly personal and independent approach to filmmaking. This film is the first in his “Caseros e Inquilinas” trilogy, which explores the dynamics between landlords and tenants. His vision for “Divine Treasure” seems to focus on the human need for connection, particularly in later life, and the unexpected ways these connections can form. He delves into themes of fascination, companionship, and how new relationships can inject vitality into one’s existence, without necessarily judging the nature of these connections. The film also aims to be a candid observation of intergenerational interactions and perhaps a commentary on unconventional family structures.

• Companionship and Solitude: The contrast between Roberto’s solitary life and the newfound companionship brought by Carmen.

• Intergenerational Relationships: The dynamics between older landlords and younger tenants, and the mutual influence they have on each other.

• Fascination and Desire: Roberto’s complex feelings for Carmen, exploring physical and/or intellectual attraction.

• Rejuvenation in Later Life: The idea that new experiences and relationships can bring joy and renewed purpose in retirement.

• Unconventional Living Arrangements: Portraying alternative forms of shared living and chosen families.

• The Search for Meaning: Individuals seeking fulfillment and connection in different stages of life.

Key Success Factors (Inferred, given independent nature):

• Relatable Premise: The theme of loneliness in old age and the search for companionship is universally relatable.

• Fernando Merinero’s Niche Audience: His established style attracts a specific segment of Spanish art-house cinema enthusiasts.

• Intriguing Character Dynamics: The film’s core lies in the nuanced interactions between the older men and younger women.

• Part of a Trilogy: Being the first in a trilogy can build anticipation and draw viewers interested in a larger narrative arc.

Summary Short: Fernando Merinero’s “Divine Treasure (2024)” (original title: “Divino Tesoro”) is a Spanish drama-comedy, the first in his “Caseros e Inquilinas” trilogy. It follows retired Roberto who, after renting a room to a young student, finds his life revitalized, inspiring his friend to do the same. The film explores intergenerational connections and new forms of companionship. It premiered at the Madrid Film Festival 2024 and was released in Spain on March 21, 2025.

Awards and Nominations: “Divine Treasure (2024)” was an Official Selection in the Feature Film section of the Festival de Cine de Madrid FCMPNR (2024). It has also received:

• Best Feature at the Aasha International Films Festival Nashik India 2024.

• Honorable Jury Mention at the 14th Dada Saheb Phalke Film Festival 2024.

• Winner at the Roshani International Film Festival 2024.

• Official Selection and Best Actress Nominee at the Madriff – Madrid Indie Film Festival.

Critics Reception: Formal critical reviews for “Divine Treasure (2024)” are not widely available in major international publications. However, its selection and awards at various international film festivals indicate a positive reception within the independent film circuit. Its rating on Filmaffinity (3.4 out of 10 with 61 votes) suggests a mixed to low audience score, which is common for very independent films with a specific style that might not appeal to a broad audience. The ICAA (Instituto de la Cinematografía y de las Artes Audiovisuales) rated it “NOT RECOMMENDED FOR MINORS UNDER SIXTEEN YEARS.”

Reviews (Based on available snippets): While specific detailed reviews are scarce, the general sentiment from festival recognition and synopsis suggests a film that is:

• Thought-provoking: Explores complex relationships and themes without explicit judgment.

• Character-focused: Relies heavily on the dynamics between the protagonists.

• Unconventional: Given Merinero’s style, it likely offers a non-traditional narrative approach to its themes.

• Potentially polarizing: The subject matter and Merinero’s distinct style might lead to varied reactions from audiences.

Production: “Divine Treasure (2024)” is a Spanish production. Fernando Merinero served in multiple key roles, including director, screenwriter, executive producer, director of photography, editor, and colorist. The film has a runtime of 1 hour and 20-21 minutes (80-81 minutes). It was filmed in Madrid, Spain, between June 1 and June 30, 2024. It is presented in color with a 16:9 HD aspect ratio. It is the first film in the “Caseros e Inquilinas” trilogy.

Sales Companies: Specific sales companies for “Divine Treasure (2024)” are not widely listed in public information. Given it is an independent film produced by Vendaval Producciones S.L., sales may be handled directly by the production company or through smaller, specialized agents.

Distribution Companies: Specific distribution companies for “Divine Treasure (2024)” are not widely listed beyond its availability on Filmin for subscribers in Spain. This suggests a direct-to-platform or very limited theatrical release.

Release Date on Streaming: “Divine Treasure (2024)” is available for subscribers on Filmin in Spain. This indicates a primary distribution channel via streaming/VOD for Spanish audiences.

Theatrical Release: “Divine Treasure (2024)” had its theatrical release in Spain on March 21, 2025. It also premiered at the Festival de Cine de Madrid FCMPNR (2024).

Why to Recommend This Movie:

• For Fans of Independent Spanish Cinema: If you appreciate the unique, often experimental, and personal vision of Spanish independent filmmakers like Fernando Merinero.

• Exploration of Intergenerational Dynamics: Offers a thoughtful look at the relationships that can form between people of different generations, especially in shared living spaces.

• Unique Character Study: Focuses on the internal journey and evolving perspectives of a retired man seeking connection.

• Part of a Trilogy: Appeals to audiences interested in following a director’s long-form artistic project and seeing how themes develop across multiple films.

• Award Recognition (Independent Circuit): Its wins and selections at various film festivals indicate a certain artistic merit within that sphere.

• If You Are Seeking Unconventional Narratives: The film likely deviates from traditional plot structures and character arcs, offering a fresh perspective.

• To Witness Authentic Human Interactions: Merinero’s films often explore human behavior in raw and unfiltered ways.

• To Reflect on Aging and Companionship: The film can prompt contemplation on loneliness in later life and the importance of new relationships.

• Support Auteur Filmmaking: Experience a film where one individual (Merinero) has significant creative control over almost every aspect of production.

• Curiosity about the “Caseros e Inquilinas” Trilogy: If you’re interested in the overarching themes of landlords and tenants explored across Merinero’s series.

What Movie Trend Film Is Following: Independent Spanish Auteur Cinema / Slice-of-Life Drama / Intergenerational Storytelling: “Divine Treasure” embodies the ongoing trend of highly independent, auteur-driven cinema in Spain, where filmmakers maintain significant creative control. It fits into the “slice-of-life” drama genre, focusing on the intimate details of everyday existence and relationships. The film also follows the trend of intergenerational storytelling, exploring the dynamics and benefits of connections between different age groups.

What Big Social Trend Is Following: Aging Population & Loneliness / Alternative Living Arrangements / Shifting Social Norms: The film touches on the global social trend of aging populations and the challenges of loneliness in later life, and implicitly suggests alternative living arrangements as a solution. It also subtly reflects shifting social norms around relationships and companionship, moving beyond traditional family structures to explore diverse forms of connection and cohabitation.

Final Verdict: “Divine Treasure (2024)” is a quintessential Fernando Merinero film: a deeply personal, independent Spanish drama-comedy that delves into intimate human relationships. As the first part of his “Caseros e Inquilinas” trilogy, it sets a contemplative tone, exploring the complexities of fascination and companionship between generations. While its extremely limited theatrical release means minimal box office and critical coverage in mainstream media, its festival recognition highlights its artistic value within the independent circuit. For those open to unconventional storytelling and a nuanced look at human connection, “Divine Treasure” offers a unique and thought-provoking experience.

Recommendations for Film Makers:

• Embrace True Independence: Merinero’s model of handling multiple production roles demonstrates that a clear artistic vision can be realized with minimal external interference.

• Focus on Character and Theme: Even with limited resources, a compelling character study and well-explored themes can create a powerful narrative.

• Niche Audience Engagement: Understand and target specific audiences (e.g., through film festivals, curated streaming platforms) rather than aiming for broad commercial appeal.

• Utilize Local Resources: Filming in local settings with a small crew can be highly effective for independent productions.

Recommendations for Movie Industry:

• Support Auteur Cinema: Continue to provide platforms and funding for highly individualistic filmmakers whose unique visions enrich the cinematic landscape.

• Facilitate Alternative Distribution: Recognize that not all films are suited for wide theatrical release and support VOD/streaming platforms as crucial avenues for independent and art-house cinema.

• Value Thematic Depth: Acknowledge films that explore complex human conditions and social dynamics, even if they don’t generate large commercial returns.

• Promote Diverse Storytelling: Encourage and showcase narratives that explore a wide range of human experiences, including those of different generations and unconventional living arrangements.

Final Conclusions: “Divine Treasure (2024)” stands as a testament to Fernando Merinero’s consistent and singular artistic vision. As the opening chapter of his “Caseros e Inquilinas” trilogy, it offers a gentle yet insightful exploration of loneliness, companionship, and the surprising connections that can emerge from shared living. Its independent spirit and festival accolades underscore its artistic merit, making it a valuable piece of contemporary Spanish cinema for those who appreciate a more intimate and reflective storytelling approach.